Where I came from

The craft archive

Twenty-plus videos I directed, shot and cut myself before I moved into direction — fifteen of them here. I keep them for one reason: when I brief a creator or an editor now, I know exactly what I'm asking for and what it costs to deliver. Every card plays its cover and opens the video on Instagram; the address sits under each one if your browser blocks the jump.

Twenty-plus made. Fifteen kept. The bad ones taught more.


Restaurants and rooms

Seven rooms around the valley, each selling a different thing — the char, the crowd, the view, the price. The work was deciding which, then shooting only that.

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Brand campaigns

Someone else's guidelines, someone else's product, a deadline attached to the brief. Useful training in fitting a voice that isn't yours — the thing I now ask creators to do.

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Crowds and holy days

No lighting, no second take, no control over anything but where I stood. Documentary work teaches you to decide fast — the habit direction runs on.

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Street food, plainly

Two griddles and a pair of hands that had done this longer than I'd been alive. Shot close, cut slow, nothing styled.

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Personal work lives in the highlights at @_.anuraaag.